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For example, in addition to manipulating the speaker impulse response, users can fiddle with the microphone impulse response, cover source (i.e., sources that muffle the sound, such as blankets, boxes, etc.), distortion, and EQ.Īnd this is only a small portion of what it can do. Speakerphone 2 also gives you the option to alter your source signal in various ways. Need the sound of a particular type of speaker or amplifier? No problem. Speakerphone is unrivaled speaker emulation software.
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This introduction to 10 free plugins curated by Reverb SYNC was written to empower musicians to record their own tracks by taking advantage of easy access to the musical software revolution. The sheer scope of possibility makes this a must-have for any serious sound designer.ġ0 Free Software Plugins on Reverb Right Now Users select “blocks” - essentially individual modules (oscillators, ADSRs, quantizers, etc.) - and chain them together to create unique sounds.
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Its adaptive interface allows for modular patching of the 70+ sounds immediately available in the included bundle, plus thousands more in the user library. File this one under “industry standards.” Reaktor 6 by Native Instruments allows users to build custom effects, samplers, synthesizers, and beyond.
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Its user interface is relatively simple to operate once one familiarizes themselves with the workflow. The ability to blend sounds and apply effects - Omnisphere 2 boasts more than 50 onboard effects - offers a lot of sonic potential. Its library is vast, ranging from more traditional instruments like pianos and strings to more esoteric synthesizers and sonic experiments (think waterphones and tesla coils). It is a fantastic tool for constructing one-shot samples of all kinds, kinesthetic atmospheres, and impactful progressions. Omnisphere 2 by Spectrasonics is an immensely powerful VST instrument/synthesizer with capabilities extending through the realm of sound design and beyond. If you’re looking to create harsh digital effects and butcher your source signal into hellish bliss, Ohmicide is an excellent place to start. With four frequency bands (each with their own editable parameters), a variety of distortion types, and MIDI compatibility, Ohmicide is a flexible sonic mangler consistently capable of hurting your feelings. Part of what makes this plugin so advantageous is the way it pairs flexible routing and filtering options and a colossal library of factory presets and frequency profiles with an easy-to-use interface.īrought to you by the twisted minds at Ohmforce, Ohmicide is a distortion plugin with tons of character. The second engine is LR (late reflections), handling the aspects of reverberation that arrive at the listener’s ear much later than either the direct sound or early reflections.Īether blends these two engines across an intuitive interface. The first is ER (early reflections), relating to the portion of reverberation that hits a listener’s ears just after the direct sound. It has been used in countless film, television, gaming, and music applications on major releases.Īether consists of two discrete engines. 2cAudio’s Aether is a powerful, self-modulating algorithmic reverb plugin whose reputation speaks for itself. If you don't have five-hundred big ones to shell out for Altiverb, look straight into the eyes of Aether. Others weren’t intended for sound design but can be “hacked” to get the job done. Some of the plugins included on this list are industry staples. If you’re serious about audio production, knowing what tools are available to shape the sounds you’re after is half the battle. You’ve probably heard their work in countless recordings without ever knowing it.
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Sound design plugins are those that are useful for shaping and designing original sound effects and processing existing sounds into something new and unrecognizable.